Snapshots Album
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Snapshots, Eleanor McEvoy''s third studio album, was released in 1999. McEvoy''s primary goal was to make Snapshots her most song-oriented album to date. Toward that goal, McEvoy hooked up with producer Rupert Hine who worked with Stevie Nicks, Tina Turner, Suzanne Vega, and Duncan Sheik. The extensive use of drum loops on the album was a complete change in style from McEvoy''s previous work. This is McEvoy''s only album on which she does not play violin. Before the o...
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Snapshots, Eleanor McEvoy''s third studio album, was released in 1999. McEvoy''s primary goal was to make Snapshots her most song-oriented album to date. Toward that goal, McEvoy hooked up with producer Rupert Hine who worked with Stevie Nicks, Tina Turner, Suzanne Vega, and Duncan Sheik. The extensive use of drum loops on the album was a complete change in style from McEvoy''s previous work. This is McEvoy''s only album on which she does not play violin. Before the overdub sessions she was attacked whilst walking down the street on the way home from the studio and her hand broken. Luckily, recovery was complete, and the album stands as a unique moment in the history of one of Ireland''s strongest female talents. Columbia Records had not been prepared for these changes and not long after the release of Snapshots McEvoy parted company with Columbia Records
