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High Quality Content by WIKIPEDIA articles! By 1960, the label's musical base had been expanded to include all genres. This was done in part to prevent the roster of Columbia Records (which, at the time, had a reputation for releasing material by more established acts) from being overstuffed with newer artists.[citation needed] Subsequently, Epic became better known for its signing of newer, fledgling acts. By the end of the 1960s, Epic earned its first gold records and had evolved into a formidable hit-making force in rock and roll, R&B and country music. Among its many acts, it included Roy ...
High Quality Content by WIKIPEDIA articles! By 1960, the label's musical base had been expanded to include all genres. This was done in part to prevent the roster of Columbia Records (which, at the time, had a reputation for releasing material by more established acts) from being overstuffed with newer artists.[citation needed] Subsequently, Epic became better known for its signing of newer, fledgling acts. By the end of the 1960s, Epic earned its first gold records and had evolved into a formidable hit-making force in rock and roll, R&B and country music. Among its many acts, it included Roy Hamilton, Bobby Vinton, The Dave Clark Five, The Hollies, Tammy Wynette, Donovan, The Yardbirds, Lulu and Jeff Beck. Several of the British artists on the Epic roster during the 1960s were the result of CBS's Epic/Okeh units' international distribution deal with EMI; Epic recordings were issued by EMI on the Columbia label before the contract with EMI expired, at which point CBS Records formed a British Epic Records branch to market Epic label material.
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