This is a comprehensive philosophy of the art of singing, addressed to those with a gift for singing who would like to understand better how to approach putting that gift to use. The central theme is that the imagination is an essential pre-requisite of singing--not an optional extra.
This is a comprehensive philosophy of the art of singing, addressed to those with a gift for singing who would like to understand better how to approach putting that gift to use. The central theme is that the imagination is an essential pre-requisite of singing--not an optional extra.
Distinguished opera and concert singer, now retired.
Inhaltsangabe
Introduction I: The Basic Principles Readiness to sing - The Raw Material Posture Posture - Hints The Impulse The Intention Intention - Hints The Anacrusis Colour Falsetto The Importance of Good Diction The Singer's Ear The Pitch-Intensity Effect Breath II: Words and Music The Works of the Imagination - Words and Music Legato and Tessitura The Pulse III: Performance Performance Bibliography Index
Introduction I: The Basic Principles Readiness to sing - The Raw Material Posture Posture - Hints The Impulse The Intention Intention - Hints The Anacrusis Colour Falsetto The Importance of Good Diction The Singer's Ear The Pitch-Intensity Effect Breath II: Words and Music The Works of the Imagination - Words and Music Legato and Tessitura The Pulse III: Performance Performance Bibliography Index
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