Shouting Softly
Lines on Law, Literature, and Culture
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In Shouting Softly, literary lawyer and proud Southerner Allen Mendenhall provides valuable insights into perennial questions about the fundamental features of civil society. His expansive commentaries and criticism on law, literature, and culture reveal an abiding commitment to ordered liberty, the decentralization and diffusion of power, bottom-up and localized forms of voluntary governance, time-tested wisdom, and aesthetic sensibility. This vigorous work cautions against hubris and misguided certitude, predicating its arresting arguments on the proposition that human reason, however awesom...
In Shouting Softly, literary lawyer and proud Southerner Allen Mendenhall provides valuable insights into perennial questions about the fundamental features of civil society. His expansive commentaries and criticism on law, literature, and culture reveal an abiding commitment to ordered liberty, the decentralization and diffusion of power, bottom-up and localized forms of voluntary governance, time-tested wisdom, and aesthetic sensibility. This vigorous work cautions against hubris and misguided certitude, predicating its arresting arguments on the proposition that human reason, however awesome and inspiring, is limited and fallible. Covering a wide range of issues and historical figures, Mendenhall espouses conservative yet melioristic approaches to complex subjects, rebutting the hollow claims and fashionable theories that captivate 'purposefully' leftist law and humanities faculties across the United States. His is the measured voice of a book-loving polymath who appreciates beauty, imagination, humility, clarity, cooperation, and sound argumentation. The work is given in three parts. The first section on law explores legal minds, rules and commentary on seminal jurisprudence. The second part explores literature and the influence of the writer and the disconcerting truths stories often seek to convey. Thirdly, Mendenhall delves into culture and the more obvious situations wherein we gain insight into our manner of living, and here Mendenhall exudes a Southern accent that in no way compromises his universal bearings. One of the highlights is his echo of Larry Seidentop's question: "If we in the West do not understand the moral depth of our own tradition, how can we hope to shape the conversation of mankind?" This is all the more meaningful given that Mendenhall is a member of the Millennial generation, and part of the intellectual minority who sees the urgency of "a studied appreciation for nuanced story and linguistic narrative."
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