Shapes, Scenes and Strokes
Book Reviews 2015
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The experience of thinking about, preparing, or writing a text, be it a book review, or about an art exhibition, cannot be limited solely to the artistic experience. There must always be another kind of challenge. I want that elusive thing that I found, together with the encounter that I had with the "object" and the experience we lived together. Every day when I wake up, I don't think about writing, but I wonder whether I'll be able to rise to the calling of that particular "object" (a book, a painting, a play, opera, etc.). The "characters" in them are never marginal figures. I know that the...
The experience of thinking about, preparing, or writing a text, be it a book review, or about an art exhibition, cannot be limited solely to the artistic experience. There must always be another kind of challenge. I want that elusive thing that I found, together with the encounter that I had with the "object" and the experience we lived together. Every day when I wake up, I don't think about writing, but I wonder whether I'll be able to rise to the calling of that particular "object" (a book, a painting, a play, opera, etc.). The "characters" in them are never marginal figures. I know that they exist but I do not know them, I do not confront myself with them, or I only do so in highly stereotypical situations where they almost become invisible. When I write about something, this is my attempt at turning the invisible into the visible.
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