Shakespeare and the Book
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Shakespeare and the Book is a lively and learned account of Shakespeare's plays as they were transformed from scripts to be performed into books to be read, and eventually from popular entertainments into the centerpieces of the English literary canon. Kastan examines the motives and activities of Shakespeare's first publishers, the curious eighteenth-century schizophrenia that saw Shakespeare radically modified on stage at the very moment that scholars were working to establish and restore the 'genuine' texts, and the exhilarating possibilities of electronic media for presenting Shakespeare n...
Shakespeare and the Book is a lively and learned account of Shakespeare's plays as they were transformed from scripts to be performed into books to be read, and eventually from popular entertainments into the centerpieces of the English literary canon. Kastan examines the motives and activities of Shakespeare's first publishers, the curious eighteenth-century schizophrenia that saw Shakespeare radically modified on stage at the very moment that scholars were working to establish and restore the 'genuine' texts, and the exhilarating possibilities of electronic media for presenting Shakespeare now to new generations of readers. This is an important contribution to Shakespearean textual scholarship, to the history of the early English book trade, and to the theory of drama itself. Shakespeare and the Book persuades its readers of the resiliency of the book itself as a technology and of Shakespeare's own extraordinary resiliency that has been made possible not least by print.
Table of contents:
1. Introduction; 2. From playhouse to printing house: or, making a good impression; 3. From quarto to folio: or, size matters; 4. From contemporary to classic: or, textual healing; 5. From codex to computer: or, presence of mind.
This is a lively and learned account of Shakespeare's plays as they were transformed from scripts to be performed into books to be read. It is an important contribution to Shakespearean textual scholarship, to the history of the early English book trade, and to the theory of drama itself.
An account of Shakespeare's plays as they were transformed from scripts into books.
Table of contents:
1. Introduction; 2. From playhouse to printing house: or, making a good impression; 3. From quarto to folio: or, size matters; 4. From contemporary to classic: or, textual healing; 5. From codex to computer: or, presence of mind.
This is a lively and learned account of Shakespeare's plays as they were transformed from scripts to be performed into books to be read. It is an important contribution to Shakespearean textual scholarship, to the history of the early English book trade, and to the theory of drama itself.
An account of Shakespeare's plays as they were transformed from scripts into books.
