Sampling and Site-Specific Practice in Contemporary Art
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"Cut, Shift, Paste offers rich insight into the conceptually, materially and aesthetically distinct consequences works of art produce that are simultaneously anchored in their site and their sample's referent. For example, authorship is undermined when a feature film is unraveled by a multi-channel video installation, or a net.artwork highlights the slippage between friendship and labor. The apparatus is destabilized when a 24-hour supercut matches "real" time to onscreen time, or when a retrospective exhibition foregrounds attribution, or when a video installation anchors a meme in the galler...
"Cut, Shift, Paste offers rich insight into the conceptually, materially and aesthetically distinct consequences works of art produce that are simultaneously anchored in their site and their sample's referent. For example, authorship is undermined when a feature film is unraveled by a multi-channel video installation, or a net.artwork highlights the slippage between friendship and labor. The apparatus is destabilized when a 24-hour supercut matches "real" time to onscreen time, or when a retrospective exhibition foregrounds attribution, or when a video installation anchors a meme in the gallery. Artists considered include Christian Marclay, Amie Siegel, Douglas Gordon and Lorna Mills"--
