Russian Criminal Tattoo Encyclopaedia, Volume 1
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'A rare and astonishing book, a glimpse of a deeply secretive world that has taken the author a lifetime to penetrate. It reveals more graphically than any Gulag history the unreformed horror of Russia: the lack of law, the rule of violence, the brutality, anti-Semitism and xenophobia. And yet it is filled with a poignance and a sense of personal tragedy that brought tears to my eyes.' - The TelegraphThe photographs, drawings and texts published in this book are part of a collection of more than 3,000 tattoos accumulated over a lifetime by prison attendant Danzig Baldaev. Tattoos were his gate...
'A rare and astonishing book, a glimpse of a deeply secretive world that has taken the author a lifetime to penetrate. It reveals more graphically than any Gulag history the unreformed horror of Russia: the lack of law, the rule of violence, the brutality, anti-Semitism and xenophobia. And yet it is filled with a poignance and a sense of personal tragedy that brought tears to my eyes.' - The Telegraph
The photographs, drawings and texts published in this book are part of a collection of more than 3,000 tattoos accumulated over a lifetime by prison attendant Danzig Baldaev. Tattoos were his gateway into a secret world in which he acted as ethnographer, recording the rituals of a closed society.
The icons and tribal languages he documented are artful, distasteful, sexually explicit and sometimes just strange, reflecting as they do the lives and traditions of Russian convicts.
Skulls, swastikas, harems of naked women, a smiling Al Capone, medieval knights in armour, daggers sheathed in blood, benign images of Christ, sweet-faced mothers and their babies, armies of tanks, and a horned Lenin - these are the signs by which the people of this hidden world mark and identify themselves.
The photographs, drawings and texts published in this book are part of a collection of more than 3,000 tattoos accumulated over a lifetime by prison attendant Danzig Baldaev. Tattoos were his gateway into a secret world in which he acted as ethnographer, recording the rituals of a closed society.
The icons and tribal languages he documented are artful, distasteful, sexually explicit and sometimes just strange, reflecting as they do the lives and traditions of Russian convicts.
Skulls, swastikas, harems of naked women, a smiling Al Capone, medieval knights in armour, daggers sheathed in blood, benign images of Christ, sweet-faced mothers and their babies, armies of tanks, and a horned Lenin - these are the signs by which the people of this hidden world mark and identify themselves.
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