Roberto El Diablo
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Roberto El Diablo, subtitled âÃ"pera En Cinco Actos, â is a Spanish-language libretto for Giacomo Meyerbeer's grand opera, âRobert le diable.â A cornerstone of the early Romantic opera repertoire, âRobert le diableâ premiered in Paris in 1831 and quickly gained international popularity. The opera blends historical drama with supernatural elements, telling the story of Robert, the Duke of Normandy, who is revealed to be the son of Bertram, a devil. Torn between good and evil influences, Robert struggles to escape his demonic heritage and find redemption through love and virtue. This libr...
Roberto El Diablo, subtitled âÃ"pera En Cinco Actos, â is a Spanish-language libretto for Giacomo Meyerbeer's grand opera, âRobert le diable.â A cornerstone of the early Romantic opera repertoire, âRobert le diableâ premiered in Paris in 1831 and quickly gained international popularity. The opera blends historical drama with supernatural elements, telling the story of Robert, the Duke of Normandy, who is revealed to be the son of Bertram, a devil. Torn between good and evil influences, Robert struggles to escape his demonic heritage and find redemption through love and virtue. This libretto offers insights into the narrative structure and dramatic intentions of Meyerbeer's celebrated work, capturing the cultural and artistic milieu of 19th-century European opera. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
