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"The poems are elegies for everything, including myself," writes James Richardson. "Beyond this, I cannot pretend to be certain of much about them. I suppose they reflect a self with only a tenuous grip on its surroundings, threatened by their (and its own) continuous vanishing. The poems respond with a helplessness, fitful control, and not a little tenderness. Like the protagonists of The Encyclopedia of Stones: A Pastoral, I am very slow, both unsettled and inspired by the vertiginous strangeness and speed of events. I suspect these melancholy and disembodied poems are attempts to arrest the...
"The poems are elegies for everything, including myself," writes James Richardson. "Beyond this, I cannot pretend to be certain of much about them. I suppose they reflect a self with only a tenuous grip on its surroundings, threatened by their (and its own) continuous vanishing. The poems respond with a helplessness, fitful control, and not a little tenderness. Like the protagonists of The Encyclopedia of Stones: A Pastoral, I am very slow, both unsettled and inspired by the vertiginous strangeness and speed of events. I suspect these melancholy and disembodied poems are attempts to arrest the moment long enough to say farewell, to let things go rather than be subject to their disappearance." Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
