Required Dichotomies in the Romanian (Music) History
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History recounts subjective facts and thoughts that nevertheless must be approached impartially. Two important Romanian historians, Neagu Djuvara and Lucian Boia discuss this topic in a new perspective, far from sympathies and antipathies, as well as manipulations of any kind. So, they provide a valuable example that may also be applied to the history of arts, including the Romanian musical art. My study provides a synthetic view on the history of music in the Carpatho-Danubian territory over three periods - pre-Roman, Daco-Roman, and Middle Ages. As long as we lack sufficient internal and pla...
History recounts subjective facts and thoughts that nevertheless must be approached impartially. Two important Romanian historians, Neagu Djuvara and Lucian Boia discuss this topic in a new perspective, far from sympathies and antipathies, as well as manipulations of any kind. So, they provide a valuable example that may also be applied to the history of arts, including the Romanian musical art. My study provides a synthetic view on the history of music in the Carpatho-Danubian territory over three periods - pre-Roman, Daco-Roman, and Middle Ages. As long as we lack sufficient internal and plausible evidence, we may just make suppositions concerning the music of these ancestors. Therefore, my goal is more the reconsideration of the early Romanian history - including the music evolution of the period - trying to avoid the nationalist interpretations, rather than provide new information.
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