Real Presences
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Can there be major dimensions of a poem, a painting, a musical compostion created in the absence of God? Or, is God always a real presence in the arts? Any new book by Steiner is an event according to Eva Hoffman of the New York Times.
A powerful argument for the presence of the divine within art, from one of the twentieth-century's leading thinkers In Real Presences, George Steiner, whom A. S. Byatt praised as "a late, late, late, late Renaissance man," addressed one of the most challenging and important questions about art and human understanding: Can there be major dimensions of a poem, a painting, a musical composition created in the absence of God? Or is God always a real presence in the arts? Drawing examples from across centuries and cultures, Steiner passionately argues that a transcendent reality grounds all genuine art and human communication.
