Precarious Visualities: New Perspectives on Identification in Contemporary Art and Visual Culture
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Examines the transformation of our relation to images in visual culture. This book calls attention to the attachments of spectatorship. It provides an understanding of spectatorship, as a relation that is at once corporeal and imaginary, yet prolific in its cultural, social and political effects.
Olivier Asselin is associate professor in the Department of Art History and Film Studies, University of Montr¿. Johanne Lamoureux is professor in the Department of Art History, University of Montr¿. Christine Ross is professor and James McGill
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