Postmodern Journeys
Film and Culture 1996-1998
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In Postmodern Journeys, Joseph Natoli continues to chronicle how our responses to headline events and popular film help script the ways in which we imagine ourselves and the world around us. Here we clearly see how svelte marketing strategies take the present pulse of the American mass psyche in order to play to the frustrations and anxieties, the desires and hauntings that can neither be fully faced nor totally ignored. In the years covered here, films such as Fargo, Titanic, Boogie Nights, Jerry Maguire, Saving Private Ryan, and Good Will Hunting crisscrossed such headline events as the deat...
In Postmodern Journeys, Joseph Natoli continues to chronicle how our responses to headline events and popular film help script the ways in which we imagine ourselves and the world around us. Here we clearly see how svelte marketing strategies take the present pulse of the American mass psyche in order to play to the frustrations and anxieties, the desires and hauntings that can neither be fully faced nor totally ignored. In the years covered here, films such as Fargo, Titanic, Boogie Nights, Jerry Maguire, Saving Private Ryan, and Good Will Hunting crisscrossed such headline events as the deaths of Princess Diana and Mother Teresa, a record-breaking Dow, welfare "reform", the fall of Newt Gingrich, the rise of Jesse Ventura, and, overshadowing everything, Monica Lewinsky, Bill Clinton, and Ken Starr. Somewhere in the intersection of what the record shows and how popular film and culture put us into play with that record lies the postmodern American landscape we are imagining and creating. Part memoir, part cultural criticism, Postmodern Journeys continues the fast-paced ride into that imagined time and place.
