Hans-Thies Lehmann (Germany Johann Wolfgang Goethe-Universitat)

Broschiertes Buch

Postdramatic Theatre

Beschreibung

Newly adapted for the Anglophone reader, and including a wealth if practical examples, this is an excellent translation of Hans-Thies Lehmannâ s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre.

Autor

Hans-Thies Lehmann is Professor of Theatre Studies at the Johann Wolfgang Goethe Universität, Frankfurt am Main, Germany. His numerous publications include Theater und Mythos (1991) on the constitution of the subject in ancient Greek tragedy, Writing the Political (2002) and, with Patrick Primavesi, Heiner Müller Handbuch (2004). Karen Jürs-Munby is Senior Lecturer in Drama, Theatre and Performance at the University of Huddersfield.

Produktdetails

• Verlag: Taylor & Francis
• Artikelnr. des Verlages: RU133X
• Seitenzahl: 226
• Erscheinungstermin: 1. Februar 2006
• Englisch
• Abmessung: 234mm x 156mm x 12mm
• Gewicht: 350g
• ISBN-13: 9780415268134
• ISBN-10: 0415268133
• Artikelnr.: 20886056

Rezensionen

'This is a provocative, illuminating and stimulating book that will undoubtedly become as essential a text in English theatre scholarship as it already has in continental Europe.' - Marvin Carlson, Theatre Research International

'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations

'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR

'This is a provocative, illuminating and stimulating book that will undoubtedly become as essential a text in English theatre scholarship as it already has in continental Europe.' - Marvin Carlson, Theatre Research International

'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations

'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR