Planning Airpower Strategies
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This study attempts to determine whether Air Component Commands are capable of developing an effective airpower strategy. The study examines U.S. Central Command Air Forces (CENTAF) because of its recent experience in developing and executing a sizable airpower contribution to a theater campaign. The author sets the background by describing CENTAF's role in the Persian Gulf War theater campaign strategy. The conclusion is that the Commander in Chief (CINC) of Central Command did not think that CENTAF had an acceptable holistic airpower strategy in August of 1990 and therefore requested the ass...
This study attempts to determine whether Air Component Commands are capable of developing an effective airpower strategy. The study examines U.S. Central Command Air Forces (CENTAF) because of its recent experience in developing and executing a sizable airpower contribution to a theater campaign. The author sets the background by describing CENTAF's role in the Persian Gulf War theater campaign strategy. The conclusion is that the Commander in Chief (CINC) of Central Command did not think that CENTAF had an acceptable holistic airpower strategy in August of 1990 and therefore requested the assistance of the Air Staff at the Pentagon. Next, the author justifies and describes credible sources for determining the attributes of an effective operational level airpower strategy. Using this information, he recommends a notional air component commander's campaign planning organization and describes the individual branch's responsibilities and products. The largest implication of this notional organization is the requirement to possess a strategy cell, with immediate, direct and continual access to the JFACC, to develop an overall framework for the rest of the combat planning organization. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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