Professor Kirsten Stirling
Picturing Divinity in John Donne's Writings
Professor Kirsten Stirling
Picturing Divinity in John Donne's Writings
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A new approach to the visual arts in the work of John Donne
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Produktdetails
- Produktdetails
- Studies in Renaissance Literature
- Verlag: Boydell & Brewer Ltd
- Seitenzahl: 192
- Erscheinungstermin: 5. März 2024
- Englisch
- Abmessung: 234mm x 156mm x 13mm
- Gewicht: 344g
- ISBN-13: 9781843847076
- ISBN-10: 1843847078
- Artikelnr.: 68990076
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Studies in Renaissance Literature
- Verlag: Boydell & Brewer Ltd
- Seitenzahl: 192
- Erscheinungstermin: 5. März 2024
- Englisch
- Abmessung: 234mm x 156mm x 13mm
- Gewicht: 344g
- ISBN-13: 9781843847076
- ISBN-10: 1843847078
- Artikelnr.: 68990076
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Kirsten Stirling
Introduction: Verbal and Visual Art Making and breaking images Donne's
knowledge of art Dr. Donne's art gallery Iconoclasm and anxiety in Donne's
poetry 1. Shadows Portraits of Donne "His Picture" The picture in the heart
Likeness 2. Art and the Apophatic The "well-made and well-placed picture"
The sculptor and the statue The red glasse The "curious masterpeece" and
the Imago Dei 3. Annunciation: Representing the Unrepresentable "In little
roome": the circumscription of the divine The Incarnate Word Swerving away
from ekphrasis "A circle... whose first and last concurre" 4. Crucifixion
Negative theology and "The Crosse" The Deus Absconditus and the Cross in
Donne's Good Friday Poem The "Picture of Christ crucified" 5. Judgement
Resurrection. Imperfect. The face of God in the Holy Sonnets Imagined
corners Vision and Revision Ut pictura poesis Conclusion
knowledge of art Dr. Donne's art gallery Iconoclasm and anxiety in Donne's
poetry 1. Shadows Portraits of Donne "His Picture" The picture in the heart
Likeness 2. Art and the Apophatic The "well-made and well-placed picture"
The sculptor and the statue The red glasse The "curious masterpeece" and
the Imago Dei 3. Annunciation: Representing the Unrepresentable "In little
roome": the circumscription of the divine The Incarnate Word Swerving away
from ekphrasis "A circle... whose first and last concurre" 4. Crucifixion
Negative theology and "The Crosse" The Deus Absconditus and the Cross in
Donne's Good Friday Poem The "Picture of Christ crucified" 5. Judgement
Resurrection. Imperfect. The face of God in the Holy Sonnets Imagined
corners Vision and Revision Ut pictura poesis Conclusion
Introduction: Verbal and Visual Art Making and breaking images Donne's
knowledge of art Dr. Donne's art gallery Iconoclasm and anxiety in Donne's
poetry 1. Shadows Portraits of Donne "His Picture" The picture in the heart
Likeness 2. Art and the Apophatic The "well-made and well-placed picture"
The sculptor and the statue The red glasse The "curious masterpeece" and
the Imago Dei 3. Annunciation: Representing the Unrepresentable "In little
roome": the circumscription of the divine The Incarnate Word Swerving away
from ekphrasis "A circle... whose first and last concurre" 4. Crucifixion
Negative theology and "The Crosse" The Deus Absconditus and the Cross in
Donne's Good Friday Poem The "Picture of Christ crucified" 5. Judgement
Resurrection. Imperfect. The face of God in the Holy Sonnets Imagined
corners Vision and Revision Ut pictura poesis Conclusion
knowledge of art Dr. Donne's art gallery Iconoclasm and anxiety in Donne's
poetry 1. Shadows Portraits of Donne "His Picture" The picture in the heart
Likeness 2. Art and the Apophatic The "well-made and well-placed picture"
The sculptor and the statue The red glasse The "curious masterpeece" and
the Imago Dei 3. Annunciation: Representing the Unrepresentable "In little
roome": the circumscription of the divine The Incarnate Word Swerving away
from ekphrasis "A circle... whose first and last concurre" 4. Crucifixion
Negative theology and "The Crosse" The Deus Absconditus and the Cross in
Donne's Good Friday Poem The "Picture of Christ crucified" 5. Judgement
Resurrection. Imperfect. The face of God in the Holy Sonnets Imagined
corners Vision and Revision Ut pictura poesis Conclusion