Philippe Sollers
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Table of contents:Preface by the Director of the Series. Acknowledgments. Introduction. The First Spire: A HERITAGE OF ICONOCLASM. Chapter 1 The Past and the Avant-Garde. Chapter II The French Enlightenment Reborn. Chapter III Playing with the Self in Autobiography. The Second Spire: TRANSGRESSION. Chapter IV Separating the Self from Language. Chapter V The Self as a Humorous Other. The Third Spire: RELIGIOSITY. Chapter VI The Return of Neo-Classicism. Chapter VII The Exceptional Activities. Chapter VIII Art, Music, and Sculpture. Conclusion The Immoralist as Arlequin. Notes. Bibliography. Ref...
Table of contents:
Preface by the Director of the Series. Acknowledgments. Introduction. The First Spire: A HERITAGE OF ICONOCLASM. Chapter 1 The Past and the Avant-Garde. Chapter II The French Enlightenment Reborn. Chapter III Playing with the Self in Autobiography. The Second Spire: TRANSGRESSION. Chapter IV Separating the Self from Language. Chapter V The Self as a Humorous Other. The Third Spire: RELIGIOSITY. Chapter VI The Return of Neo-Classicism. Chapter VII The Exceptional Activities. Chapter VIII Art, Music, and Sculpture. Conclusion The Immoralist as Arlequin. Notes. Bibliography. References.
Preface by the Director of the Series. Acknowledgments. Introduction. The First Spire: A HERITAGE OF ICONOCLASM. Chapter 1 The Past and the Avant-Garde. Chapter II The French Enlightenment Reborn. Chapter III Playing with the Self in Autobiography. The Second Spire: TRANSGRESSION. Chapter IV Separating the Self from Language. Chapter V The Self as a Humorous Other. The Third Spire: RELIGIOSITY. Chapter VI The Return of Neo-Classicism. Chapter VII The Exceptional Activities. Chapter VIII Art, Music, and Sculpture. Conclusion The Immoralist as Arlequin. Notes. Bibliography. References.
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