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Explores how whiteness is culturally constructed in American films.

Produktbeschreibung
Explores how whiteness is culturally constructed in American films.
Autorenporträt
Gwendolyn Audrey Foster is Associate Professor of English and Film Studies at the University of Nebraska. Her previous books include Captive Bodies: Postcolonial Subjectivity in Cinema, also published by SUNY Press, and Troping the Body: Gender, Etiquette, and Performance.