Of Ochre and Ash
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Of Ochre and Ash, Eleanor Hooker's third collection of poems, lends to her familiar themes of family, place and memory a trademark uncanny, even otherworldly atmosphere, in which the glimpsed, the intuited and the half-known provide a great deal of the interest.The desire to "see my home from the other side" is a constant, but so too is immersion in the moment and, indeed, the ever-present nearby "darkening lake". "Eleanor Hooker's voice guides her reader through large metaphoric visions and the consolations of ordinary life. This is a collection full of urgent, haunted poems with a subtle ran...
Of Ochre and Ash, Eleanor Hooker's third collection of poems, lends to her familiar themes of family, place and memory a trademark uncanny, even otherworldly atmosphere, in which the glimpsed, the intuited and the half-known provide a great deal of the interest.The desire to "see my home from the other side" is a constant, but so too is immersion in the moment and, indeed, the ever-present nearby "darkening lake". "Eleanor Hooker's voice guides her reader through large metaphoric visions and the consolations of ordinary life. This is a collection full of urgent, haunted poems with a subtle range of approach; they are many-faceted works, reflecting the fragmented strangeness of experience. We face wild gothic moments, whose counterweight is the familiar, calm or stormy, world of the lake she lives beside and the people whose life is shared with hers." - Eiléan Ní Chuilleanáin "Eleanor Hooker's poetry has a way of resonating in the reader like secret histories passed down through the generations. It is a strange effect: the drift of these poems seems to have been with us even before we began reading and lingers long after the book is closed. They are both strangely familiar and incredibly new and run the gamut of human experience: poems of sickness and healing; journeys and journeying, poems of the dead and the unborn; of storm and calm. The world she describes for us is by turns unsettling, mythic and surreal, but ultimately so exquisite and affirming that it can only be our own. " - John Glenday
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