New York Etching Club
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The New York Etching Club was the first professional organization in America devoted to the medium of etching. Its founders were inspired by the Etching revival that had blossomed in France and England in the middle 19th century. The purpose of the club was to create and promote etchings that did not merely reproduce existing paintings, but were original creations of art in their own right. The first meeting of the New York Etching Club took place in the studio of Jam...
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The New York Etching Club was the first professional organization in America devoted to the medium of etching. Its founders were inspired by the Etching revival that had blossomed in France and England in the middle 19th century. The purpose of the club was to create and promote etchings that did not merely reproduce existing paintings, but were original creations of art in their own right. The first meeting of the New York Etching Club took place in the studio of James David Smillie on May 2, 1877. An etching by Robert Swain Gifford was printed on a small press under the supervision of Dr. Leroy Milton Yale. Eventually, bi-monthly meetings moved to the studio of Henry Farrer where etchings were printed from a press that Farrer built. Other important members of the New York Etching Club included Charles Adams Platt, Thomas Moran, Mary Nimmo Moran, SamuelColman, Kruseman Van Elten, William Merritt Chase, Frederick Stuart Church, Stephen Parrish, Joseph Pennell, and Thomas Waterman Wood. For most members, etching was an important side-interest to their main occupation as painters.
