
New Forms: The Avant-Garde Meets the American Scene, 1934-1949
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In this fascinating exhibition catalogue, the authors discuss how 1930s and 1940s American modernism was a diverse blend of styles, artists and points of views. Addressing a core of the University of Iowa Museum of Art collection, from Jackson Pollock's 1943 Mural and other gifts from collector Peggy Guggenheim, to works by Grant Wood, the essays provide a broad cultural overview of the terms and motivations of American Modernism.