Ne touchez pas à la reine; opÃ(c)ra comique en 3 actes. Poème de MM. E. Scribe et Gustave Vaëz
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"Ne touchez pas à la reine," is a comic opera in three acts, with a libretto by Eugène Scribe and Gustave Vaëz. This work, composed by Dominique François Xavier Boisselot, exemplifies the charm and wit of 19th-century French opera. The opera's lighthearted story and engaging music promise an entertaining experience for enthusiasts of operatic and theatrical arts. The collaboration between the renowned librettists Scribe and Vaëz and the composer Boisselot ensures a delightful blend of comedic storytelling and captivating melodies, characteristic of the French operatic tradition. This work...
"Ne touchez pas à la reine," is a comic opera in three acts, with a libretto by Eugène Scribe and Gustave Vaëz. This work, composed by Dominique François Xavier Boisselot, exemplifies the charm and wit of 19th-century French opera. The opera's lighthearted story and engaging music promise an entertaining experience for enthusiasts of operatic and theatrical arts. The collaboration between the renowned librettists Scribe and Vaëz and the composer Boisselot ensures a delightful blend of comedic storytelling and captivating melodies, characteristic of the French operatic tradition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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