Moving the Moon
A Night at the Acropolis Museum
Übersetzer: Schutt, Will
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From one of Europe's most original and brilliant classicists, an inspiring and deeply personal reflection on loss, memory, and what we owe the past and others, inspired by a night spent in Athens' Acropolis Museum One day in late spring, Andrea Marcolongo walks into an outdoor store in Paris to buy a camp bed, a sleeping bag, and a flashlight. Her destination: not a remote forest or mountain peak, but the deserted halls of one of the most famous museums in the world, the Acropolis Museum in Athens, Greece, where she has been invited to spend a night completely alone. But it's hard to be truly ...
From one of Europe's most original and brilliant classicists, an inspiring and deeply personal reflection on loss, memory, and what we owe the past and others, inspired by a night spent in Athens' Acropolis Museum One day in late spring, Andrea Marcolongo walks into an outdoor store in Paris to buy a camp bed, a sleeping bag, and a flashlight. Her destination: not a remote forest or mountain peak, but the deserted halls of one of the most famous museums in the world, the Acropolis Museum in Athens, Greece, where she has been invited to spend a night completely alone. But it's hard to be truly alone when you're surrounded by the scarred beauty of the Parthenon, lit only by the moon and summoning echoes and ghosts from the past. One of the shadows visiting Marcolongo is that of Lord Elgin, the English diplomat who in the early 19th century orchestrated the controversial removal of the Parthenon marbles from Ottoman Greece to London, where they remain today. The other is the memory of Andrea's father, whose recent death she is still mourning. Drawing on a lifetime of engagement with classical culture and its legacy, Marcolongo examines the burning question of the restitution of works of art removed during the age of imperialism, and the broader issue of the role of power and inequality in the history of art. As the night goes by, however, the empty space left by the missing statues--a wound filled with white plaster--starts evoking other, more personal absences. Surrounded and inspired by the ruins and splendor of the classical world, Marcolongo reflects on the ever-changing relationship between present and past, and on the choices and people that make us who we are, even--or perhaps especially--when we have to leave them behind. The result is a powerful and courageous book, one that crosses time and space to remind us that we cannot live in isolation but are continuously connected and indebted to others. "Marcolongo is today's Montaigne...There is wisdom and grace here to last the ages."--André Aciman, author of Call Me by Your Name
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