Monograph on Arabic-Ottoman Notions of Baytajies
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The monograph of the Arabic-Ottoman notion of Baytajies is considered unpublished because it reflects a very complex notion that is an inseparable part of Albanian literature, but rather of that Arab and Ottoman, because it is written with a specific alphabet which was once rejected and it was once accepted, but again, even though it was part of the ongoing verse of the ontology of Albanian literary and poetry works, it was again neglected as a stranger. The Albanian literature written in the Arabic-Ottoman alphabet, sometimes referred to as "Alamiad", "Baytajies" and "Eastern influx", or "cre...
The monograph of the Arabic-Ottoman notion of Baytajies is considered unpublished because it reflects a very complex notion that is an inseparable part of Albanian literature, but rather of that Arab and Ottoman, because it is written with a specific alphabet which was once rejected and it was once accepted, but again, even though it was part of the ongoing verse of the ontology of Albanian literary and poetry works, it was again neglected as a stranger. The Albanian literature written in the Arabic-Ottoman alphabet, sometimes referred to as "Alamiad", "Baytajies" and "Eastern influx", or "creativity", has not taken the place in Albanian literature. It has been marginalized for decades and with no exceptions that has been done recently, however, it has not taken the place where it really should have been. Why was this literature marginalized and such marginalization still persists? First, it must be said that the greatest blow to this literature was, without doubt, the communist system, which ruled for half a century. Art under dictatorship was anathematized.
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