Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction
Marcia Brennan
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Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction

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How postwar abstract modernist paintings came to be seen as metaphorical embodiments of masculine selfhood; an examination of the critical discourse surrounding the work of Matisse, de Kooning, Pollock, and the post-painterly Abstractionists.