Modern French Visual Theory
A Critical Reader
Herausgeber: Saint, Nigel; Stafford, Andy
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When French theory went global in the late twentieth century its visual wing was understandably built on the work of its best-known thinkers, notably Foucault, Derrida, Barthes and Deleuze. However these names merely scratch the surface of a vibrant and innovative body of theory that has been produced in France over the last six decades. This volume focuses on a range of theorists who usually languish under the academic radar, especially when outside of France: Arasse, Buci-Glucksmann, Damisch, Debray, Didi-Huberman, Heinich, Marin, Schefer and Stiegler. Also discussed is the important work on...
When French theory went global in the late twentieth century its visual wing was understandably built on the work of its best-known thinkers, notably Foucault, Derrida, Barthes and Deleuze. However these names merely scratch the surface of a vibrant and innovative body of theory that has been produced in France over the last six decades. This volume focuses on a range of theorists who usually languish under the academic radar, especially when outside of France: Arasse, Buci-Glucksmann, Damisch, Debray, Didi-Huberman, Heinich, Marin, Schefer and Stiegler. Also discussed is the important work on the visual of Baudrillard, Merleau-Ponty, Metz and Nancy. Five major areas of French contemporary visual theory are studied by international scholars working within Visual Culture and Art History: phenomenology and beyond; new art histories and genealogies; semiotics and methodologies; memory and the body; and the digital era.
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