Mirrored Sword Part Two
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What happens when the world's worst shrew meets the world's most formidable warrior? Mirrored Sword, a comedy as black as the Plague, as turbulent as the Wars of the Roses. She is an aspiring painter and devoted Yorkist. He is the legendary but ageing Beast of Ferrybridge - a Lancastrian stalwart! Rebellion in Lincolnshire throws them together, the Yorkist king keeps them together, and thus they must work out their destinies and England's, in an epic story that combines laughter and tears, romance and adventure, history and make-believe, high art and vulgar entertainment: a medieval banquet, l...
What happens when the world's worst shrew meets the world's most formidable warrior? Mirrored Sword, a comedy as black as the Plague, as turbulent as the Wars of the Roses. She is an aspiring painter and devoted Yorkist. He is the legendary but ageing Beast of Ferrybridge - a Lancastrian stalwart! Rebellion in Lincolnshire throws them together, the Yorkist king keeps them together, and thus they must work out their destinies and England's, in an epic story that combines laughter and tears, romance and adventure, history and make-believe, high art and vulgar entertainment: a medieval banquet, loaded with surprises, colourful characters and poetic justice. Part One, The Dance, is a journey from Lincolnshire to London, where he goes in search of a fool brother, and she goes in quest of a royal romance, the story careering through a series of revealing encounters, climaxing in treachery and mayhem at Baynard Castle, the king's London home. Part Two, The Tour, is their return journey from London to Lincolnshire, as companions and fellow travellers of the king, when their previous encounters are even more revealing in reverse order, ending in a rising tide of bloodshed and revenge, malice and pure evil, hope and desperate self-belief, deep in the fens. ¿The narrative represents the viewpoints of eight different characters in Part One, but Part Two concentrates on the viewpoints of just two, the hero and heroine, as they struggle to shake off, manipulate, dominate, understand and maybe accept each other. Themes include conflicting loyalties and challenging relationships associated with lovers, friends, family, pets, and political allies. Chapters are presented as 31 calendar dates in the year 1470. Front matter includes a decorative map of medieval England, showing the towns visited. Readers can track different points of view by means of a chart, bolded names heading different sections, and headers on alternate pages.
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