Michael Costa
England's First Conductor: The Revolution in Musical Performance in England, 1830-1880
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Among the major changes that swept through the music industry during the mid-nineteenth century was how musical performances were managed and directed. From a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form, but also higher standards, a new orchestral lay-out and a more focused rehearsal regime. The key figure in this process was Michael Costa whose uniquely powerful position in the operatic, symphonic...
Among the major changes that swept through the music industry during the mid-nineteenth century was how musical performances were managed and directed. From a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form, but also higher standards, a new orchestral lay-out and a more focused rehearsal regime. The key figure in this process was Michael Costa whose uniquely powerful position in the operatic, symphonic and choral worlds provide a fascinating insight into the politics and changing aesthetics of the Victorian musical landscape.
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