Mexican American Mojo
Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968
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"I am especially excited by the interviews Anthony Macias conducted, which make central perspectives long missing from scholarship on jazz, swing, and R & B. Macias's method of looking at Los Angeles's social geography of race and ethnicity 'through a prism of popular music' will be of great interest to those interested in the histories of popular music, Mexican America, and Los Angeles."--Sherrie Tucker, author of "Swing Shift: "All-Girl" Bands of the 1940s"
