Merchant-Ivory
Interviews
Herausgeber: Raw, Laurence
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"Whenever they see a Merchant-Ivory name, they [the audience] go with the expectation that this will be something interesting, exciting, entertaining, and they are satisfied with that." --Ismail Merchant Merchant-Ivory: Interviews gathers together for the first time interviews made over the past five decades with director James Ivory (b. 1928), producer Ismail Merchant (1936-2005), and screenwriter Ruth Prawer Jhabvala (b. 1927). Beginning with their earliest work in India and ending with James Ivory's last film, The City of Your Final Destination (2009), the book traces their careers together...
"Whenever they see a Merchant-Ivory name, they [the audience] go with the expectation that this will be something interesting, exciting, entertaining, and they are satisfied with that." --Ismail Merchant Merchant-Ivory: Interviews gathers together for the first time interviews made over the past five decades with director James Ivory (b. 1928), producer Ismail Merchant (1936-2005), and screenwriter Ruth Prawer Jhabvala (b. 1927). Beginning with their earliest work in India and ending with James Ivory's last film, The City of Your Final Destination (2009), the book traces their careers together, while offering valuable insights into their creative filmmaking process. The volume serves as a corrective to the prevailing critical orthodoxy attached to Merchant-Ivory's work, which tends to regard them as being solely concerned with historically accurate costumes and settings. As independent filmmakers, they have developed an idiosyncratic approach that resists facile classification. This book shows how Merchant-Ivory have always taken considerable care in casting their films, as well as treating actors with respect. This is a deliberate policy, designed to bring out one of the triumvirate's principal thematic concerns--the impact of the "clash of cultures" on individuals. Partly this has been inspired by their collective experiences of living and working in different cultures. They do not offer any answers to this issue; rather they believe that their task is simply to raise awareness, to make filmgoers conscious of the importance of cultural sensitivities that assume paramount significance in any exchange, whether verbal or nonverbal. Laurence Raw, Ankara, Turkey, is professor of English at Bäkent University. He is author of several books, including Adapting Henry James: Gender, Fiction, and Film; The Ridley Scott Encyclopedia; and Impressions of the Turkish Stage.
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