Media and Materiality in the Neo-Avant-Garde
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Media and Materiality in the Neo-Avant-Garde explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century. The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides - high and low, ideology and form, art and everyday life - that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol's Factory, the perspectives established and the operations performed in Media and Mate...
Media and Materiality in the Neo-Avant-Garde explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century.
The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides - high and low, ideology and form, art and everyday life - that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol's Factory, the perspectives established and the operations performed in Media and Materiality in the Neo-Avant-Garde thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.
The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides - high and low, ideology and form, art and everyday life - that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol's Factory, the perspectives established and the operations performed in Media and Materiality in the Neo-Avant-Garde thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.
