Maurice Maeterlinck and the Making of Modern Theatre
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Opening with a chapter on Maeterlinck's Symbolist and decadent beginnings, and proceeding by way of comparative readings of Maeterlinck and contemporary Symbolist dramatic theory (with particular attention to Mallarme), Maurice Maeterlinck and the Making of Modern Theatre provides close readings of the one-act plays, and his seminal theories of static theatre and the theatre of waiting.
Maurice Maeterlinck has been called the 'prodigal father' of modern theatre. As Rilke put it, he shifted theatre's center of gravity, replacing action with inaction, events with the eventless, and dialogue with an expressive semantics of silence. This study, the first in over a decade, traces the development of Maeterlinck's dramatic vision of extraordinary originality and depth.
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