Masquerade and Identities
Essays on Gender, Sexuality and Marginality
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Masquerade is now a central topic in many disciplines. This volume explores and revisits the role of disguise in constructing, expressing, or representing marginalised identities. The contributors have a range of areas of expertise giving the book an interdisciplinary approach. This eclectic collection spans a range of cultures and narrative voices to offer discussions of: mask and carnival; the voice as mask; stigma of illegitimacy; fashion, fetish and fantasy; lesbian masks; cross-dressing in Jewish folk theatre; and the mask in 17th- and 18th-century London and 19th-century France. The book provides provocative and nuanced ways of thinking about masking and masquerade and shows that there is no such thing as a single or "true" identity.
Masquerade, both literal and metaphorical, is now a central concept on many disciplines. This timely volume explores and revisits the role of disguise in constructing, expressing and representing marginalised identities, and in undermining easy distinctions between 'true' identity and artifice. The book is interdisciplinary in approach, spanning a diverse range of cultures and narrative voices. It provides provocative and nuanced ways of thinking about masquerade as a tool for construction, and a tool for critique. The essays interrogate such themes as: *mask and carnival *fetish fashion *stigma of illegitimacy *femininity as masquerade *lesbian masks *cross-dressing in Jewish folk theatre *the mask in seventeenth and eighteenth century London and nineteenth century France *the voice as mask.
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