Making Face, Making Soul/Haciendo Caras
Creative and Critical Perspectives of Feminists of Color
Herausgeber: Anzaldúa, Gloria
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A bold collection of creative pieces and theoretical essays by women of color. New thought and new dialogue: a book that will teach in the most multiple sense of that word: a book that will be of lasting value to many diverse communities of women as well as to students from those communities. The authors explore a full spectrum of present concerns in over seventy pieces that vary from writing by new talents to published pieces by Audre Lorde, Joy Harjo, Norma Alarcon and Trinh T. Minh-ha. "At one level or another, all the work in the collection seeks to find ways to understand and articulate our multiple identities and senses of place...."Making Face/Making Soul" is an exciting collection of dynamic, important writings that all women of color and white feminists will learn from, enjoy, and return to again and again and again."--"Sojourner" ..".the pieces are stunning in what they risk and reveal..."--"The San Francisco Chronicle"
A bold collection of creative pieces and theoretical essays by women of color. Making Face, Making Soul includes over 70 works by poets, writers, artists, and activists such as Paula Gunn Allen, Norma Alarcón, Gloria Anzaldúa, Lorna Dee Cervantes, Barbara Christian, Chrystos, Sandra Cisneros, Michelle Cliff, Judith Ortiz Cofer, Elena Creef, Audre Lorde, María Lugones, Jewelle Gomez, Joy Harjo, bell hooks, June Jordan, Trinh T. Minh-ha, Janice Mirikitani, Pat Mora, Cherríe Moraga, Pat Parker, Chela Sandoval, Barbara Smith, Mitsuye Yamada, and Alice Walker. Anzaldúa's unusual combination of scholarly research, folk tales, personal narrative, poetry and political manifesto, forms a powerful and cohesive whole. -- San Francisco Chronicle Review Anzaldúa is an accomplished writer, able to marshal passionate intensity in support of her attempt to do away with dualities. -- Journal of the Southwest She has chosen the most difficult task; that of mediating cultures without concession or dilution. -- Women's Review of Books Propelled by a strong indigenist current, Anzaldúa assumes a prophetic voice to create--by mythic, spiritual, mystic, intuitive and imaginative means--a new vision... -- The Americas Review Many of the best pieces...combine the theoretical essay with poetry and personal narration, reflecting a breadth of emotion that most people keep tightly concealed. This is the book's primary purpose, to give voice to thoughts and feelings which have been privatized and occluded. -- Publishers Weekly Anzaldúa brings a poetic style steeped in Chicano/Chicana history and Aztec myth to bear upon issues that are too often treated in dry, theoretical terms...subverts the white middle-class perspective of much mainstream feminism with analysis, testimony, story, and song. -- Utne Reader
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