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An exploration of the influence of the charismatic Milanese art theorist on his contemporaries in the field of drawing, painting, printmaking, decorative arts, and sculpture.

Produktbeschreibung
An exploration of the influence of the charismatic Milanese art theorist on his contemporaries in the field of drawing, painting, printmaking, decorative arts, and sculpture.
Autorenporträt
Rebecca Norris, Ph.D. (2014, University of Cambridge) is Adjunct Professor at Claremont Graduate University. She has published articles on North-Italian Renaissance art including "Women on the Edge: The Saletta delle Dame of the Palazzo Salvadego in Brescia" in The Music Room in Early Modern France and Italy (Oxford University Press, 2012). Lucia Tantardini, Ph.D. (2014, University of Cambridge) is a Department Lecturer in History of Art at the University of Cambridge and a Fellow of Clare Hall, Cambridge. She has published articles on Renaissance Milan and is working on two books: Aurelio Luini (ca. 1530-93). The Complete Paintings and Drawings (Bozzi, 2021), and Drawing in Renaissance Milan (Routledge, 2021).