Literature as Conduct
Speech Acts in Henry James
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The work of a master critic writing at the peak of his powers, this magisterial book drawn on speech act theory, as it originated with J. L. Austin and was further developed by Paul de Man and Jacques Derrida, to investigate the many dimensions of doing things with words in Jame's fiction. Three modes of speech act occur in James's novels. First, Jame's writing of his fictions is preformatted. He puts on paper words that have the power to raise in the reader the phantoms of imaginary persons. Second, James's writing does things with words that do other things in their turn, including conferrin...
The work of a master critic writing at the peak of his powers, this magisterial book drawn on speech act theory, as it originated with J. L. Austin and was further developed by Paul de Man and Jacques Derrida, to investigate the many dimensions of doing things with words in Jame's fiction. Three modes of speech act occur in James's novels. First, Jame's writing of his fictions is preformatted. He puts on paper words that have the power to raise in the reader the phantoms of imaginary persons. Second, James's writing does things with words that do other things in their turn, including conferring on the reader responsibility for further judgment and action: for example, teaching James's novels or writing about them. Finally, the narrators and characters in Jame's fictions utter speech that are forms of doing things with words--James's promises, declarations, excuses, denials, acts of bearing witness, lies, decisions publicly attested, and the like. The action of each work by James, he shows, is broght about by its own idiosyncratic repertoire of speech acts. In careful readings of six major examples, "The Aspern Papers," The Portrait of a Lady, The Awkward Age, The Wings of the Dove, The Golden Bowl, and The Sense of the Past, Miller demonstrates the value of speech act theory for reading literature.
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