Light-Up Swan
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All art constantly aspires, Walter Pater claimed, towards the condition of music. The poems in Tom Snarsky's first full-length collection Light-Up Swan are animated by twin forces: an abiding love of music, and an equal fondness for the ghostly conversation engendered by quotation. With whimsy tempered by obsessive fascination, the author unfolds an open dialogue with a private pantheon of musicians and poets, both living and dead. These spectral encounters are staged on a far-reaching array of settings, from oceans to virtual gamescapes, starry canvases to comedy clubs. The speaker of the poe...
All art constantly aspires, Walter Pater claimed, towards the condition of music. The poems in Tom Snarsky's first full-length collection Light-Up Swan are animated by twin forces: an abiding love of music, and an equal fondness for the ghostly conversation engendered by quotation. With whimsy tempered by obsessive fascination, the author unfolds an open dialogue with a private pantheon of musicians and poets, both living and dead. These spectral encounters are staged on a far-reaching array of settings, from oceans to virtual gamescapes, starry canvases to comedy clubs. The speaker of the poems is by turns assured and uncertain: in one moment explaining a mathematical result from automata theory, and in the next returning to youthful conflicts and preoccupations. Are we going in circles is a fair question for this cyclical book that wears its obsessions and anxieties on its sleeve, but Light-Up Swan moves towards a helical lift. Like a string of soft lights winding up a swan's neck, these poems are composed of gentle details that welcome readers into a charmingly off-kilter world-once inside, their curiosity will be rewarded by a warm and unusual sensibility that only Tom Snarsky can bring.
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