La Tina
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La Tina: Equivoci rusticali in cinquanta sonetti is a collection of sonnets by Antonio Malatesti, written in September 1637 at his villa in Tajano. This edition brings to light Malatesti's witty and insightful observations on rural life, presented in the classic sonnet form. The poems offer a glimpse into the social customs and pastoral landscapes of 17th-century Italy. The subtitle indicates that these poems were a gift to the great English poet John Milton. "La Tina" represents a significant contribution to Italian literature and offers valuable insights into the artistic and cultural exchan...
La Tina: Equivoci rusticali in cinquanta sonetti is a collection of sonnets by Antonio Malatesti, written in September 1637 at his villa in Tajano. This edition brings to light Malatesti's witty and insightful observations on rural life, presented in the classic sonnet form. The poems offer a glimpse into the social customs and pastoral landscapes of 17th-century Italy. The subtitle indicates that these poems were a gift to the great English poet John Milton. "La Tina" represents a significant contribution to Italian literature and offers valuable insights into the artistic and cultural exchange of the period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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