La Strega Ovvero Degli Inganni De'demoni
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La Strega Ovvero Degli Inganni De'demoni is a fascinating dialogue by Giovan Francesco Pico della Mirandola, translated into Tuscan Italian by Turino Turini. Originally published in the 16th century, this work delves into the beliefs and anxieties surrounding witchcraft and demonic influence during the Renaissance. Pico della Mirandola, a nephew of the renowned philosopher Giovanni Pico della Mirandola, explores the nature of evil and the perceived power of witches through engaging conversations. This edition offers readers a rare glimpse into the intellectual and cultural landscape of the tim...
La Strega Ovvero Degli Inganni De'demoni is a fascinating dialogue by Giovan Francesco Pico della Mirandola, translated into Tuscan Italian by Turino Turini. Originally published in the 16th century, this work delves into the beliefs and anxieties surrounding witchcraft and demonic influence during the Renaissance. Pico della Mirandola, a nephew of the renowned philosopher Giovanni Pico della Mirandola, explores the nature of evil and the perceived power of witches through engaging conversations. This edition offers readers a rare glimpse into the intellectual and cultural landscape of the time, providing valuable insights into the historical context of witch trials and the prevailing superstitions that shaped early modern Europe. This volume, part of the Biblioteca Rara, makes available a significant historical text for scholars and enthusiasts interested in the history of religion, folklore, and Italian literature. Its enduring relevance lies in its exploration of timeless questions about the nature of good and evil, and the human fascination with the supernatural. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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