Aleksander Tisma

Broschiertes Buch

Kapo

Beschreibung

A devastating novel about the attrocities of WWII, and the unspeakable things people did to survive, by one of Yugoslavia's great literary voices.

The Book of Blam, The Use of Man, Kapo: In these three unsparing novels the Yugoslav author Aleksandar Ti ma anatomized the plight of those who survived the Second World War and the death camps, only to live on in a death-haunted world. Blam simply lucked out and can hardly face himself in the mirror. By contrast, the teenage friends in The Use of Man are condemned to live on and on while enduring every affliction. Kapo is about Lamian, who made it through Auschwitz by serving his German masters, knowing that at any moment and for any reason his special status might be revoked.

But the war is over now. Auschwitz is in the past. Lamian has settled down in the Bosnian town of Banja Luka, where he has a respectable job as a superintendent in the railyard. Everything is normal enough. Then one day in the paper he comes on the name of Helena Lifka, a woman like him a Yugoslav and a Jew he raped in the camp. Not long after he sees her, aged and ungainly, Lamian is flooded with guilt and terror.

Kapo, like Ti ma s other great novels, is not simply a document or an act of witness. Ti ma s terrible gift is to see with an artist s dispassionate clarity how fear, violence, guilt, and desire whether for life, love, or simple understanding are inextricably knotted together in the human breast.

Autor

Aleksandar Tišma (1924–2003) was born in the Vojvodina, a former province of the Austro-Hungarian Empire that had been incorporated into the new Kingdom of Yugoslavia after the First World War. His father, a Serb, came from a peasant background; his mother was middle-class and Jewish. The family lived comfortably, and Tišma received a good education. In 1941, Hungary annexed Vojvodina; the next year—Tišma's last in high school—the regime carried out a series of murderous pogroms, killing some 3,000 inhabitants, primarily Serbs and Jews, though the Tišmas were spared. After fighting for the Yugoslav partisans, Tišma studied philosophy at Belgrade University and went into journalism and in 1949 joined the editorial staff of a publishing house, where he remained until his retirement in 1980. Tišma published his first story, "Ibika's House," in 1951; it was followed by the novels Guilt and In Search of the Dark Girl and a collection of stories, Violence. In the 1970s and '80s, he gained international recognition with the publication of his Novi Sad trilogy: The Book of Blam (1971), about a survivor of the Hungarian occupation of Novi Sad; The Use of Man (1976), which follows a group of friends through the Second World War and after; and Kapo (1987), the story of a Jew raised as a Catholic who becomes a guard in a German concentration camp. Tišma moved to France after the outbreak of war and collapse of Yugoslavia in the early 1990s, but in 1995 he returned to Novi Sad, where he spent his last years. Richard Williams’s translations from the Serbo-Croatian include the Siniša Kovačević play Novo je doba (Times Have Changed). David Rieff is the author of ten books, including The Exile: Cuba in the Heart of Miami; Slaughterhouse: Bosnia and the Failure of the West; A Bed for the Night: Humanitarianism in Crisis; Swimming in a Sea of Death: A Son’s Memoir; and, most recently, In Praise of Forgetting: Historical Memory and its Ironies.

Produktdetails

• Verlag: NYRB Classics
• Seitenzahl: 312
• Erscheinungstermin: 7. September 2021
• Englisch
• Abmessung: 203mm x 131mm x 20mm
• Gewicht: 331g
• ISBN-13: 9781681374390
• ISBN-10: 1681374390
• Artikelnr.: 57572677

Rezensionen

A book whose darkness, mercilessness, and intensity cannot be suppressed. Neue Zürcher Zeitung

A brooding, curiously prescient saga. . . . A probing, exceptional study of a man as both victim and tormentor, and more. Kirkus Reviews

[Kapo is] the last and best book in the Novi Sad trilogy. . . . [Ti ma s] fiction is merciless, bereft of relief or respite. It is the work of a documentarian accustomed to confronting atrocity without allowing himself the indulgence of looking away. Becca Rothfeld, Sidecar, The New Left Review

An unblinking portrayal of evil for which there is no penance, from whose guilt there is no relief, and for whose knowledge the only escape is death. . . . Kapo is a palimpsest of horrible knowledge, obtained through unbearable means, and its unique value, even greater than Ti ma s other novels, lies in the rarity and moral necessity of its knowledge, delivered as painfully transparent art. David Auerbach, Apofenie