Justini Febronii, ... Commentarius In Suam Retractationem Pio Vi. Pont. Max. Kalendis Novemb. An. 1778 Submissam...
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Justini Febronii, ... Commentarius In Suam Retractationem Pio Vi. Pont. Max. Kalendis Novemb. An. 1778 Submissam... is a Latin text by Johann Nikolaus von Hontheim, writing under the pseudonym Justinus Febronius. This commentary pertains to his retraction submitted to Pope Pius VI in November 1778. The work is significant for its engagement with Febronianism, a movement advocating for the autonomy of national churches and the limitation of papal authority. This historical text offers insights into the theological and political debates within the Catholic Church during the 18th century. It prov...
Justini Febronii, ... Commentarius In Suam Retractationem Pio Vi. Pont. Max. Kalendis Novemb. An. 1778 Submissam... is a Latin text by Johann Nikolaus von Hontheim, writing under the pseudonym Justinus Febronius. This commentary pertains to his retraction submitted to Pope Pius VI in November 1778. The work is significant for its engagement with Febronianism, a movement advocating for the autonomy of national churches and the limitation of papal authority. This historical text offers insights into the theological and political debates within the Catholic Church during the 18th century. It provides valuable source material for scholars of ecclesiastical history, canon law, and the history of political thought. The volume reflects the complex relationship between religious doctrine and secular power, making it a key resource for understanding the intellectual landscape of the Enlightenment. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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