Intratextuality and Self Invention
"Rewriting" by Assia Djebar and Rachid Boudjedra
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Understanding the intertextual phenomenon in this new dimension of the text, which is that of its production, leads me to search in the author's own work: the case of Rachid Boudjedra and Assia Djebar, how borrowing is constructed, how self-quoting, self-plagiarism, allusion, reference also result from an appropriation and integration in the very space of the text or work being invented.What importance then is self-referential writing as both a linguistic and an aesthetic fact? And wouldn't the fact that it takes place within a closed novel, or from one novel to another, have something to do w...
Understanding the intertextual phenomenon in this new dimension of the text, which is that of its production, leads me to search in the author's own work: the case of Rachid Boudjedra and Assia Djebar, how borrowing is constructed, how self-quoting, self-plagiarism, allusion, reference also result from an appropriation and integration in the very space of the text or work being invented.What importance then is self-referential writing as both a linguistic and an aesthetic fact? And wouldn't the fact that it takes place within a closed novel, or from one novel to another, have something to do with autofictional writing, in other words, with the idea of self-invention?
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