
Information, reception and film: A reader-response analysis of Rashomon
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Drawing on autopoiesis, laws of form, reader response and cybernetics, this study unravels the way film as an environment is observed, marked, and indicated by spectators and thus how meaning is assigned to a film. The research is based on two premises: information emerges from people's indications of an environment as they observe it, and film is an environment for observation that attains meaning.