Jeremy Fernando

Broschiertes Buch

in fidelity

Beschreibung

« … It has taken me years to admit — perhaps only to myself — that I don’t care about writing something important, something significant. That my only hope, wish — dream even — is to write something beautiful … » (139) This book attempts to open the dossier of fidelity; and, in particular, attend to the question of the relationship between fidelity and its object, to the question of: must there be an object to fidelity? For, if one is faithful to something or someone, is one responding to the what, the characteristics of the thing, the person; or the who, the person, thing, as such? Which is not to say that what and who are necessarily distinguishable, separable, to begin with. However, if we open the possibility that the who is always already beyond us — outside of knowability, if even only slightly — this suggests that it is the spectre, the potential unknowability, that haunts all relationality. Thus, even if there is an object to one’s fidelity — for, without which one cannot even begin to speak of fidelity, speak of relationality — this might well be an objectless object or, at least, an object that remains veiled from us. In order to explore this relationship — in which one cannot even be sure if there is a relationality; for, without the object, the nature, if one can call it that, of the relation is speculative — the text takes the form of an exploratory fiction. Where it attempts to bear witness to the possibility of fidelity — keeping in mind that fiction is both the limit to, and condition of, testimony — whilst quite possibly only testifying to the possibility of being able to testify. Nothing more.

Autor

Jeremy Fernando reads, writes, and makes things.He works in the intersections of literature, philosophy, and art; and his, more than thirty, books include Reading Blindly, Living with Art, Writing Death, in fidelity, Tómate un paseo por el lado oscuro del camino, resisting art, Writing Skin, A Ghost Never Dies, The feather of Ma'at, un oeil d'or, I wish we were lovers, and Jeremy Fernando by Jeremy Fernando. His writing has also been featured in magazines and journals such as Arte al Límite, Berfrois, CTheory, Cenobio, Entropy, Full Bleed, Poiesis, Philosophy World Democracy, Queen Mob's Teahouse, Qui Parle, RIC Journal, Testo e Senso, TimeOut, and Voice & Verse Poetry Magazine, amongst others; and has been translated into the Brazilian-Portuguese, French, German, Italian, Japanese, Korean, Spanish, and Serbian. Exploring other media has led him to film, music, performance-readings, and the visual arts; and his work has been exhibited in Seoul, Vienna, Hong Kong, Lisbon, and Singapore. He has been invited to read at the Akademie der Künste in Berlin in September 2016; and to deliver a series of performance-readings at the 2018, 2020, and 2022 editions of the Bienal de la Imagen en Movimiento in Buenos Aires, the latter at which he also curated a filmic omnibus entitled reading dreaming malaya. He is the general editor of Delere Press; curates the thematic magazine One Imperative; is the Jean Baudrillard Fellow at The European Graduate School; co-creator of the private dining experience, People Table Tales; and the writer-in-residence at Appetite, the sensorial laboratory exploring the cross-roads of food, music, and art.

Produktdetails

• Verlag: Delere Press
• Seitenzahl: 212
• Erscheinungstermin: 11. September 2016
• Englisch
• Abmessung: 203mm x 127mm x 14mm
• Gewicht: 343g
• ISBN-13: 9789811105326
• ISBN-10: 9811105324
• Artikelnr.: 66632567