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Imperial Life in the Emerald City
Inside Baghdad's Green Zone. Winner of the Samuel Johnson Prize, Non-Fiction 2007
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From a walled-off enclave of towering plants, smart villas and sparkling swimming pools - a surreal bubble of pure Americana known as the Green Zone - the US-led Coalition Provisional Authority, under imperial viceroy L. Paul Bremer III, attempted to rule Iraq in the first twelve months after the fall of Saddam Hussein s regime. Drawing on hundreds of interviews and internal documents, Rajiv Chandrasekaran tells the memorable story of this ill-prepared attempt to build American democracy in a war-torn Middle Eastern country, detailing not only the risky disbanding of the Iraqi army and the lud...
From a walled-off enclave of towering plants, smart villas and sparkling swimming pools - a surreal bubble of pure Americana known as the Green Zone - the US-led Coalition Provisional Authority, under imperial viceroy L. Paul Bremer III, attempted to rule Iraq in the first twelve months after the fall of Saddam Hussein s regime. Drawing on hundreds of interviews and internal documents, Rajiv Chandrasekaran tells the memorable story of this ill-prepared attempt to build American democracy in a war-torn Middle Eastern country, detailing not only the risky disbanding of the Iraqi army and the ludicrous attempt to train the new police force, but also bringing to light a host of lesser-known yet typical travesties, among them: - the aide who based Baghdad s new traffic laws on those of the state of Maryland, downloaded - the contractor with no previous experience paid millions to guard a closed airport - the people with prior experience in the Middle East who were excluded in favour of lesser-qualified Republican Party loyalists - the case of the 24-year-old who had never worked in finance put in charge of revitalising Baghdad s stock exchange Written with wit and urgency by a sharp-eyed observer, Imperial Life in the Emerald City provides a hair-raising portrait of the gap between the Oz-like Green Zone and the brutal reality of post-war Iraq. It is American reportage at its best.