I am my Property
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In "I am my Property," Verax provides a detailed account of navigating the complexities of real property ownership in late 19th-century England. The author, writing under a pseudonym, shares his experiences dealing with his 'legal estate, ' shedding light on the cumbersome processes involved in land transactions. Topics covered include abstracts of title, registration of deeds, investigations of title, and the roles of solicitors and counsel. The book offers a glimpse into the intricacies of property law during this period, addressing issues such as conveyances, Acts of Parliament related to l...
In "I am my Property," Verax provides a detailed account of navigating the complexities of real property ownership in late 19th-century England. The author, writing under a pseudonym, shares his experiences dealing with his 'legal estate, ' shedding light on the cumbersome processes involved in land transactions. Topics covered include abstracts of title, registration of deeds, investigations of title, and the roles of solicitors and counsel. The book offers a glimpse into the intricacies of property law during this period, addressing issues such as conveyances, Acts of Parliament related to land, the Landed Estates Court, and the challenges posed by head-interests. Verax also delves into the practical aspects of dealing with a seller's solicitor, requisition for searches, and the high transaction costs associated with real property dealings. This historical account serves as a valuable resource for understanding the evolution of land law and the bureaucratic hurdles faced by property owners in Victorian England. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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