Histoire De L'opÃ(c)ra-Comique
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Histoire de l'Opéra-Comique: La Seconde Salle Favart, Volume 1, by Albert Soubies and Charles Malherbe, offers a detailed historical account of the Opéra-Comique in Paris, specifically focusing on the second Salle Favart. This volume provides valuable insights into the performances, personalities, and cultural context of French opera during its vibrant period. The book examines the Opéra-Comique's contributions to the development of French musical theater and its enduring legacy. A meticulous study of a significant cultural institution, this work remains a crucial resource for scholars and ...
Histoire de l'Opéra-Comique: La Seconde Salle Favart, Volume 1, by Albert Soubies and Charles Malherbe, offers a detailed historical account of the Opéra-Comique in Paris, specifically focusing on the second Salle Favart. This volume provides valuable insights into the performances, personalities, and cultural context of French opera during its vibrant period. The book examines the Opéra-Comique's contributions to the development of French musical theater and its enduring legacy. A meticulous study of a significant cultural institution, this work remains a crucial resource for scholars and enthusiasts of opera and French history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.