Guisemberga Da Spoleto
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"Guisemberga Da Spoleto" is a lyrical tragedy in three acts, divided into four parts, intended for performance at the Teatro Argentina in the spring of 1866. This work by Filippo Sangiorgi and Carlo D'Ormeville offers a dramatic narrative set to music, characteristic of 19th-century Italian opera. The tragedy explores themes of love, betrayal, and destiny, reflecting the operatic conventions of the era. This edition preserves the historical context and artistic intentions of the original production, making it a valuable resource for scholars and enthusiasts of Italian opera and theatrical hist...
"Guisemberga Da Spoleto" is a lyrical tragedy in three acts, divided into four parts, intended for performance at the Teatro Argentina in the spring of 1866. This work by Filippo Sangiorgi and Carlo D'Ormeville offers a dramatic narrative set to music, characteristic of 19th-century Italian opera. The tragedy explores themes of love, betrayal, and destiny, reflecting the operatic conventions of the era. This edition preserves the historical context and artistic intentions of the original production, making it a valuable resource for scholars and enthusiasts of Italian opera and theatrical history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
