
Experimental Beijing
Gender and Globalization in Chinese Contemporary Art
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			      Examining the cultural and gender politics of Chinese contemporary art at the turn of the twenty-first century, Sasha Su-Ling Welland shows how artists, curators, officials, and urban planners negotiated the meanings of the avant-garde, built new cultural institutions, wrote new histories of Chinese art, and imagined new, more gender-inclusive worlds.    
   
								 
					 
					 
					 
					 
					 
					 
					 
					 
					